Overview

The finishing of this carpet was done using centuries old traditional techniques. Once its laborious hand-knotting was completed, it was rolled and entirely submerged in a sanitizing bath where its fibers fully absorbed all cleaning liquid. After which it was laid flat on the ground where a team of cleaners used wooden oar-like paddles to push the water through its fibers and draw out impurities. Oar strokes were done in sync to prevent the carpet from getting torn. Each stroke tightened the knots even further. No machines were involved in its washing or drying.

Materials & Craftsmanship:
This diligently hand-knotted area rug is made of 100% pure lamb’s wool. Wool is a natural material, representing a healthy choice that is environmentally friendly with a long list of benefits. The pile of this wool rug is hygienic and non-allergenic, as the natural pile also deters the growth of bacteria and dust mites. It represents a great choice for asthma sufferers due to its natural filtering ability. The rug feels soft under the foot while remaining wear-resistant and long-lasting. With proper maintenance tailored to its needs, this rug can last over 75 years.

Homeowners benefit from an extra grip which is important for balance, good posture, and accident prevention. Moreover, wool rugs are flame resistant. Cleaning is also easier due to a protective layer that pushes dirt up and resists staining. In fact, it will trap dirt and dust until it is vacuumed. A wool rug is also a great option for adding the look and feel of luxury to any space, as wool is a luxurious material.

A Brief History of Millefleurs Rugs

Mille-fleurs (in French), known in English as millefleur or mille-fleur literally means a "thousand flowers" and refers to a background made of many small flowers and plants. It was an especially popular motif in tapestry and other applied arts and crafts during the Middle Ages in Europe. The term is also used to describe Oriental rugs with a similar design, originally Persian but later produced in much of the Middle East and Mughal India. The medieval European style may have been influenced by Persian miniatures or carpets.

The Mughal emperors Shah Jahan (1627-1658) and Shah Aurangzeb (1658-1707) had a great appreciation for this particular style and they commissioned their weavers to replicate these fine delicate motifs in the carpets that adorned their palaces throughout India. In 1730 the Persian Shah Nadir Quli (1688-1747) conquered parts of India and returned home with countless treasures, including textiles and Millefleurs carpets. This made a great impact on the decorative arts of Persia and the surrounding territories.

A "millefleurs" carpet has a bottom which is livened up with a motif of latticework; every containing alveolus is a flower. Certain specialists see an Italian origin in this décor which is also present in the Indian architectural decoration of the XVII^th century, and XVIII^th centuries, notably in nephrite rooms set by precious stones. Several carpets adorned with these compositions are endowed with a line of a multicolored silk chain, a characteristic of weavers from Lahore, Pakistan.

Sources and inspiration: Bérinstain, Valérie, et al. L'art du tapis dans le monde (The art of carpets in the world). Paris: Mengès, 1996. Print.; Jerrehian Jr., Aram K.A. Oriental Rug Primer. Philadelphia: Running Press, 1980. Print.; Herbert, Janice Summers. Oriental Rugs, New York: Macmillan, 1982. Print.; Hackmack, Adolf. Chinese Carpets and Rugs, Rutland and Tokyo: Tuttle, 1980. Print. ; De Moubray, Amicia, and David Black. Carpets for the home, London: Laurence King Publishing, 1999. Print.; Jacobsen, Charles. Oriental Rugs A Complete Guide, Rutland and Tokyo: Tuttle, 1962. Print.; Bashir, S. (n.d.). Personal interview.; Web site sources and dates of consultation vary (to be confirmed). Without prejudice to official usage.